One of the first things I learned about driving a taxi was that it’s always a mystery who’s going to climb in the back of your taxi.
The uncertainty of where a ride will take you can be exhilarating and terrifying.
This collection of fascinating photographs, taken by photographer Bill Washburn in the 80s, perfectly captures the randomness in the ebb and flow of daily transit.
Washburn drove a San Francisco taxi from 1982 to 1986. During that time he documented the experience with a camera mounted to the dashboard.
Washburn’s photos, which include part of his own face in the frame with the passengers in the backseat, not only document the randomness of taxi driving, but also the awkward intimacy that comes from sharing an enclosed space with a stranger for a prolonged period of time.
I’m often curious how other drivers interact with their passengers.
Alex Sack, the Buddhist taxi documentarian, wrote in a recent blogpost about a ride to the airport: “I throw on some KDFC Classical 90.3FM, lest Constantine and I ride in, uh, awkward silence.” Background music is a familiar theme in Sack’s writing.
I tend to drive with just sounds of the city as a soundtrack. And the occasional burst of chatter from the dispatch radio. With few auditory distractions, the slightest utterance can potentially lead to a conversation. Which is my way of pursuing a story…
Taxi driving and the artistic pursuit are not strange bedfellows. There have been TV shows, movies, books, songs and all sorts of other creative representations of driving for hire.
Two other photographers who found inspiration behind the wheel of a taxi that instantly spring to mind are Erik Hagen, who drove a taxi in LA, and David Bradford, a NY taxi driver.
Washburn’s taxi photos are different, though, in that he turns the camera around, and focuses on the inside of the taxi. Where so much of the randomness really occurs…
For me, these still frame moments don’t just resonate because I’ve helmed the wheel of a cab. Long before I ever drove a taxi, I rode in them and the experience was always an occasion – either special or desperate.
My earliest memory is being in the back of a taxi, when my mother’s car broke down and she called a cab to take me to preschool. The driver was listening to the news on the radio. Something about President Ford…
The subtle revelations in Washburn’s snapshots pull me closer to the person in the back, stoking my curiosity about who these people were and what their lives were like outside of this short cab ride.
Another obvious quality to these photos is the time they capture: San Francisco in the 80s. Which isn’t just a bygone era, but also a time when taxicabs were the accepted form of private transportation.
Nowadays, Uber and Lyft are all the rage.
Having driven an Uber/Lyft before switching to taxi, I found app-based transportation to be a neutered experience.
Even though Uber and Lyft function essentially the same as a taxi – they both involve driving people for money – there is little spontaneity with the former.
Pick up and drop off points, along with routes, are all recorded.
You know the passenger’s name before they get in the car. They know yours.
There’s an assumed vetting process.
And the rating system gives the passenger all the control. Uber/Lyft drivers know that if they step out of line, they can get deactivated. Which limits uncertainly and creates a passive experience for the driver.
In a taxi, anyone or anything can happen.
That’s what makes these photos so intriguing: they expose the random adventure that comes from moving through the city, untethered by technology.
View the collection of photos, annotated and with an essay by Pete Brook here.
[all photos by Bill Washburn, used with permission]
[thanks to Pete Brook for turning me on to this project]
Very cool! I had never heard of this guy. When I drove for Veteran’s back in the 90s there was a driver with a similar setup, Greg Roden. His stuff is here: http://www.gregroden.com/taxi/
Don, thanks for posting this link. Yeah, Greg Roden’s photos are similar, though he’s more engaged with his subjects. Cool images though.